Showing posts with label folk art. Show all posts
Showing posts with label folk art. Show all posts

Wednesday, 1 May 2013

Scar Crow

Spotted whilst walking around a gorgeous Norwich allotment one evening a few weekends back.

I love scarecrow imagery. Frightening, rustic, homemade.  This one is a particular beaut as it reminds me of the horrifying, button-eyed, masked killer in 'Nightbreed.'

A scarecrow can only be improved when a crow is spotted nonchalantly sitting on its shoulder...



Monday, 15 April 2013

Signs of Signs: Staples and Pins

A few weeks ago, one of our cats went missing for eight days. A hideous week, and so homemade 'Lost' flyers were stuck through letterboxes and posters put up around the local area. Thankfully, she reappeared as mysteriously as she disappeared (4am, and noisily, at the bottom of the bed), so all the posters were taken down.

Even as distracted as I was, I kept noticing the telltale signs of other signs and posters. Many may not have been lost posters, of course - home-printed posters advertising zumba are fairly common round here - but I did view the rusted staples and pins with an understanding empathy.






Monday, 10 September 2012

Black Shook: Graffiti and Folklore

Wikipedia defines 'tagging' as "A form of graffiti signature." Tagging is often the most inconspicuous form of graffiti, and is certainly the one my brain has most successfully tuned out: graffiti can be artistically fabulous, ironic, disturbing, but the simple scrawling of one's nickname across a public place doesn't spark too much interest for me. I assume the marking of one's territory is seen as the main sociological reason behind the trend, but I find this reasoning fairly unsatisfactory - seeing little difference between felt-tipping a name on a bus stop and a dog pissing on a lamppost. As an attempt at self-mythologising, or macho posturing, or laying claim on a certain few streets - it's just sort of, well, lame. I'm more sympathetic when I think about it more in relation to what I do: whenever I photograph a site - be it woodland, a derelict house, an old station, whatever - I do feel as if I have both become a (minor) part of its individual history, as it has mine. There's always a knowing sense whenever passing by these locations afterwards. As many of these places - especially the abandoned and derelict buildings - are already always plastered with graffiti, there is clearly an overlap between graffiti artists and people interested in photography similar to my own. Whilst I use the term for labelling purposes on this site, I'm not massively comfortable with the term 'urban exploration;' not least because, as they are the people who always seem several steps ahead of me, graffiti-pedlars have a stronger claim to the term.

Anyhow. Long preamble over. This entry is a collection of images of one tag - Shook. I must have walked past this name a million times in a million different parts of the city (along with other prolific Norwich tags such as Megaboom, Quir, and, uh, Andy), yet it only recently dawned on me that, phonetically, this tagger is a sort of namesake of East Anglia's most famous legend - Black Shuck, the Devil Dog. I don't know if this is intentional, and I sort of hope it's just a strange accident that even the person responsible isn't aware of the irony of another Shuck stalking the Eastern region.



























Friday, 29 June 2012

Finding Beauty In Junk: Eagle Park, Norwich

Litter is a constant struggle in urban woodland or parkland. According to the local newspapers, a couple of months ago, local resident Sam Crouchman, fed up with the state of the nearby Eagle Park, turned community-minded litter-picking into an arts project. Rubbish found in the park was used as building materials for dens and small pieces of environment-based sculpture. A couple of pieces mentioned in the original Eastern Daily Press article - "a trio of fish dangling from a tree," "a wide-eyed owl perched on a branch" - I couldn't see, so either I didn't explore properly or they've been swiped. I'm kind of (pleasantly) surprised the pieces that do remain haven't been trashed (pun intended), actually, and it will be interesting to see how long these pieces last before they are broken down and simply become part of the polluted backdrop again, as opposed to standing apart from it.